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Joined 11 months ago
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Cake day: August 2nd, 2023

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  • If you’re implying Trump should lead America again, you’re literally insane. Anyone who believes that man should be let near a position of power - let alone the highest office in the US - is either ignorant or has vested interest in the decision.

    If you’re convinced that what’s happening in Palestine is par for the course, and that Israel’s actions are justified, and that the people protesting around the globe for Palestine are being over dramatic, you’re ignorant, blind and truly deluded, or, again, you’ve some personal bias towards Israel which fails to allow you to accept reality.

    If you don’t agree with both of the above statements, then you cannot disagree with my comment. I said Trump cannot win because he isn’t fit for office. I also implied that Biden is tarnished by the Israel conflict to be seen in a positive light by his voters. If the Dems want the win, they can’t possibly go into an election with a president who is actively leaning into his “Genocide Joe” moniker. They need another candidate.


  • With protests as rife as they are across the world, and sentiment against Netenyahu at its lowest as he begins murdering innocent people in Rafah (and crossing Biden’s own red line as well as many nations red lines in the process), the last thing Biden, already dubbed genocide Joe, had to do was throw his full weight behind Israel and drag the US down with him.

    We all know that Trump will be disastrous for the US, and a self-proclaimed dictator with followers who literally worship him as the Messiah will turn the US into a nation akin to what we’ve been deriding and attacking for decades. Trump cannot win, of course he can’t. But to expect voters to back Biden when he’s this brazenly in support of a genocide is delusional.

    If dems want to win the vote, they MUST front a new candidate. Biden simply has too much blood on his hands this time. Dem voters will most likely abstain, and if not, then they’ll split the Dem vote. Tell Biden to sit down and let someone else run.









  • Yeah you’re right.

    That was me just letting my emotions for the game get the better of me. The best and only award it could have won is the Best Ongoing Game award, which it won at TGA.

    It’s good to see CDPR finally get back into gaming’s good graces and I’m sure they’ve learned their lesson as the public and critics were far, far more harsh for the release of Cyberpunk 2077, than they were for Witcher 3. Time will tell what state Witcher 4 and Cyberpunk 2077 II release in!



  • Why9@lemmy.worldtoGames@lemmy.worldIGN's Best PC Game of 2023
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    7 months ago

    I’m not going to lie, I can’t remember the last time I had so much fun playing a shooter as I did playing Cyberpunk after the 2.0 patch and Phantom liberty DLC.

    It became one of my top games of all time, and despite having finished it and trying to force myself to play something else, I’m itching to redownload it so I can get back to night city.

    It took a while but I don’t think it should be excluded from the list just because of its original shortcomings. The game’s come a long way and it’s absolutely a contender for game of the year.

    BG3 is still the well deserved winner though



  • I see what you’re saying, but it’s unviable for much of the industry, and Apex seems to be a rare case where it found success despite the competition of overwatch, counter strike etc and despite being unknown (unlike valorant, which had significant brand recognition behind it).

    But it’s unviable. Large studios need to market their games early to recover development costs through pre purchases and get people excited enough to buy day 1 (and to convince investors that there is enough excitement behind the title).

    Small studios already do this - they don’t have brand recognition and therefore no money or need to market their games extensively (except on free platforms like Lemmy, Reddit etc), and hope their game somehow gets picked up by twitch and does well (e.g. Among Us). For many, many indie titles, their games die in obscurity, or get just enough attention to cover costs.

    In general, what you’re asking for is the following: Don’t tell the public anything. Build a game that’s good enough but has an unknown IP (so that people who are hunting for registered URLs or LinkedIn hires don’t spot anything that could hint at a game), and then release it suddenly, but be absolutely confident that it is genuinely fun, it’s watertight (free from major bugs) and chef’s kiss optimised so incredibly well, that it gets nothing but glowing reviews on day 1 and word of mouth alone, through Twitch and YouTube is enough to propel it into the mainstream and make it an instant hit.

    Or be Starfield lmao. If Bethesda is unable to do to Starfield what No Man’s Sky and Cyberpunk did, then there’s absolutely no confidence that Elder Scrolls 6 will be a good game.


  • It’s an important distinction but a valid one

    Yes, the key difference is that you’re choosing to watch ads of the genre that the show is based on, but it felt like this year we were rolling RNG for 4 hours and the best we got was monster Hunter Wilds, Light no Fire, Hellblade 2 and checks notes FOUR Fortnite ads?

    Many people felt bad that there was no Elden Ring DLC, no Titanfall, no Nintendo surprise even? Rockstar could have saved their trailer for TGA, but chose to have it on their own day. Absent were the plethora of AAA titles releasing 2024-2025. It felt like we rolled RNG for ads at actually want to see, and came away slightly disappointed?


  • Exactly!

    Neil is straight up attractive. I don’t understand the disregard for his talents but I’m guessing something else happened that put him on the blacklist?

    He has insane talents and I totally agree. Hollywood is vile to the core and it’s no secret, with names big and small, old and young, veteran and rookie all content to say it as it is. It’s sad that Neil was one of the unlucky ones. What’s sadder is all the Neils who couldn’t find a break like BG3 to revive them.

    Such a good point about Peter Dinklage too! It was his star power that producers banked on. I’m sure they would never have cast him if he didn’t stand out in GoT.


  • Ok I misspoke. This shouldn’t be a show where CEO’s get jerked off.

    When a game gets an award, it rewards the entire process, from planning till release, with all the numerous developers coming together to make that vision a reality. Starfield didn’t get any recognition, neither did Call of Duty, Overwatch 2 or the many other games that fester with malpractices. Sure, the CEO will pick up the award, but to get there you need to do things right. It’s difficult to stand up on the stage as a truly scumbag company.

    E3 died because companies pulled out. If there’s enough community backlash to these events, and people stop actually appearing to pick up their awards or stop allowing their games to appear on TGA (and all you see on there are indie games and smaller studios), TGA will have the music played for them and be told to “wrap it up”.

    When the allegations against Blizzard came to light, they were banned from appearing at TGA, and could only be nominated. I do think Geoff is aware of the public perception of the show and is trying to balance making money, and giving time to winners. What happened to Neil was unfortunate as he was one of the first winners and Geoff Keighley did say he found people had too little time to talk and stopped enforcing it as the show went on.

    I don’t understand your point about Kojima. Isn’t him calling out the company precisely what he should do? Sure, he needs to do it tactfully, but I don’t see anything wrong with his delivery. That he sequed into a musical performance was hilarious and actually pretty cool.

    I do agree with you about the ads though. The OD segment was far, far too long, for what wasn’t even a teaser. I still don’t understand what Gonzo was doing there, and the Alan Wake musical number (as well as the Hell blade 2 one) were fun, sure, but I’ll take longer speeches over those anyday. The show is not without fault but it’s the public who vote on the winners and make it what it is. I’m sure there’s enough discourse this year about his failings for him to fix things next year, and I’m sure he’ll address them.

    What I’m concerned about though, is the lack of AAA titles. “World Premiere” seemed a bit grandiose a term to use for many of the titles shown. Everyone was waiting for Elden Ring, Titanfall, a surprise Nintendo announcement or, hell, a Fallout New Vegas remake maybe? Something?

    We got Monster Hunter Wilds as the only really big game there. Light no Fire and Hellblade 2 are good offerings from established devs but hardly headliners. Major studios still don’t think TGA is a platform worthy of their products and if public perception doesn’t drastically improve, it may never be.