Multiple videos.

He made multiple videos.

This is a long-winded way of saying “Don’t hate the player, hate the game.”

If you banned investing gambling

The game still died. One that was in development for five years, and it lasted two weeks.

Tell me Eve is a job without telling me Eve is a job.

He also got word that at least one very large YouTuber/streamer that he did not name decided to stay quiet about SKG because it would have contradicted Thor.

So, Asmongold. Got it!

Wow, somebody didn’t watch the video.

Why wait? Get a Steam Deck now and have hundreds of thousands of games available to play.

I had to stop when the villians were monologuing right in the middle of a fight scene, in the most cliched way possible. And this was after some mid gameplay, with a clearly telegraphed rugpull plot point that seemed like it was going to be the centerpiece of the whole story.

Nope, Outer Wilds.

It’s The Outer Worlds. It will.

The first game was shit. The game it was confused with became the greatest game ever made. Go buy that one instead.

It was still a really good game by the time they stopped working on it, and one of the least greedy CCG I’ve ever seen. Hearthstone was already starting to lose players, and they had a shot at being a replacement, even if the mechanics of the game were rather different.

And then Marvel Rivals came out and the CCG landscape was just overpopulated.

Do the dance!

Kernel-level anti-cheat can go fuck itself.

I agree, and I’m not trying to make it look like every page on Wikipedia isn’t trying to be as impartial as possible. It’s just that for certain issues, people can cheat their way out of impartially by magnifying or subduing the material they present.

I don’t think it has anything to do with their physical media, and everything to do with their successful video games sales over the past few years.

Especially when Apple is the one who dictates what is “perfect”.

Wikipedia doesn’t have to list opinions. It just has to magnify certain ideas and opinions from other sources, under the guise of impartiality and “Objective Journalism”.

“So much for Objective Journalism. Don’t bother to look for it here–not under any byline of mine; or anyone else I can think of. With the possible exception of things like box scores, race results, and stock market tabulations, there is no such thing as Objective Journalism. The phrase itself is a pompous contradiction in terms.” ― Hunter S. Thompson, Fear and Loathing on the Campaign Trail '72

I asked ChatGPT and got a few wild ideas:

• Timefall Symphony - You play a deaf conductor in a future where time is tied to music. You must sneak through collapsing timelines by conducting symphonies that rewind or fast-forward reality. Meta Twist: The game’s soundtrack is dynamically composed by the player’s performance and affects NPC memories.
• Agent Ø: The End of The Author - You play an AI agent in a post-literature world where all creative writing is outlawed. Your job is to assassinate remaining authors hiding in simulated story-worlds. Meta Twist: At a key moment, the game deletes its own script and asks you to write the ending — but the NPCs begin resisting your choices.
• Neon Genesis Logout - Set in a VR world where logging out is illegal, you’re a rogue program trying to find the “Exit Protocol,” which is rumored to cause the death of your real-world body. Meta Twist: The game links with your real-world social media data and uses it against you as blackmail from in-game NPCs.
• Cognitive Espionage: Synapse Eater - You are a “Neuroleptic Diplomat” — an interdimensional agent hired to broker peace between collapsing timelines by entering sentient thought-constructs that have gained independence and now wage war against their original hosts. These constructs — known as Ideovores — eat ideas, replicate memories, and begin overwriting reality. Your mission: infiltrate mental realms that believe they are real, neutralize rogue ideas, and plant “cognitive malware” to reestablish consensus reality. At a critical point, the game begins reinterpreting your dialogue choices from hours ago as if they were implanted ideas — and characters confront you for “things you never said.” The main antagonist turns out to be your own future self, who defected and now works for a rogue nation of self-aware conspiracies. Final boss: defeat your own consciousness before you come up with it — a battle in “Pre-Thought Space,” where thinking too hard makes the level collapse.

I mean, any of these are probably more coherent than a Kojima plot.

So, Joseph Cross, the main art director is a “former employee”?