Right. Sus, like I said. You can’t trust people willing to use their authority to protect kids.

Although, when it’s put like that, it seems people are also sus who want to or would use their authority to force users to accept the risk of seeing porn and gore by allowing NSFW communities. You know. They could always go somewhere else that already allows it but no they’ve got to cry that they want it here or there, a place they already don’t like and don’t want to visit.

I have a feeling everyone involved in those equations would disagree.

Censorship is certainly the kind of thing that drove people away from dotworld for preemptively defederating from Hexbear by fiat.

You should read some communist literature before pronouncing about it.

Historically, who funded fascists and who fought them?

Because liberals sleep in the same bed as fascists and both are ready to fight socialism tooth and nail?

Other than, you know, the millions and millions and millions of them organised in parties throughout the world.

That’s right, not wanting to have SFW communities interrupted by porn and gore is sus.

That is not what happened.

When the Lemmy software was first created, the original Hexbear (it had a different name, then) created a fork. A development or two down the line and the two forks were incompatible. The Hexbear devs started working on a fix long before the Reddit API-debacle exodus. It wasn’t easy because the fork added features that were incompatible with, let’s say, vanilla Lemmy until recently. The Hexbear devs eventually made the fixes, which made federation possible again. And the long-planned re-federation occurred. The timing is a coincidence.

As for federation, Hexbear asked it’s community which instances should be federated. To maintain the friendly culture of Hexbear, there was an agreement to only federate with a few instances. Before that happened, dotworld defederated preemptively. Since then, I have no idea whose federated or defederated with who because I quickly lost interest with the drama.

I should say that I’d never used Hexbear before federation with my instance. I learned all this because it’s publicly available knowledge. After federation, with all the drama, I searched ‘federation’ and some similar search terms on Hexbear communities and learned what I’ve just explained. The key point is that you don’t need a conspiracy theory to explain motives for and the chronology of federation because, like the modlogs, the relevant conversations are still available to read.

Also, YouTube ads are about the most random things. I don’t think I’ve ever seen an ad on YouTube for anything that I would actually buy. I’m not even nearly immune to ads, either. Show me a product that solves a problem for me and I’ll strongly consider it. Consciously and I’m sure subconsciously.

Google knows what I do for a living, where I live, and what I spend money on. Google also knows that I use YouTube primarily to watch videos in other languages. It’s not a secret to them. Yet they insist on trying to sell me products or services that have zero relevance to anything that I do. In English.

It makes me wonder if they’re even trying to profit through ads. I know the answer – no, not really – the advertiser is the customer, not me. It must be too complicated for them to realise that they could charge more for ads the more sales they led to.

I disagree that a flop means lost revenue. This is an industry that’s so adept at hiding income to avoid paying taxes, actors, and every other studio worker that dodgy accounting is known as ‘Hollywood Accounting’. Maybe we’re talking about different things. When I say Hollywood, I mean the movie industry as a whole.

Hollywood has failed to capture some income streams. From theatres, for example, as you say. But there’s still too much money to be made (and too much propaganda potential) for enough big money to leave that the problems of monopoly finance capital go away.

Good point. And it’s a lot easier to accept ‘failure’ (there could still be something learned in a game that doesn’t quite hit the mark) if the budget isn’t astronomical.

There are games like FFXV that get quite creative on a big budget. (Not sure if it’s AAA.) I enjoyed that game but some of the novel features bugged me a little bit and they skimped on some important features, I thought. Maybe there’s a better formula for trialling novelty than an all or nothing approach.

I can’t remember who it was. A famous actor, anyway. They were talking about what’s happened with movies. There’s nothing in the middle.

It’s either $100m+ or less than $3m. Either it gets a big producer and they pump so much money into it that it must be safe because it can’t lose money. Or is a small producer doing it for the love, but a small budget doesn’t go very far. The risky narratives done well would be funded somewhere between the two extremes but it’s just not how it’s done anymore.

In a strange way, to get more money in for the riskier productions, we need to get the money out of Hollywood. Can’t see it happening, myself.

The biggest non-tech problem, is just the overwhelming amount of notifications.

Is there anything users could do to help mitigate this? I think the recommendation for reporting bugs is to use the GitHub page. But for other issues?

Maybe a numbering system would help: so if a user tagged a dev, they start with a 1 for urgent, 2 for neutral(?), or 3 for ‘ignore if you’re busy’. There will be a problem of some users overemohasising their issue but it still might save time/attention overall as most users will likely respect such a system.

Or maybe a novel use of a dev community, which would allow the user base to help determine which issues are noteworthy?

Great work devs!